<?xml version="1.0"?>
<atom:feed xmlns:atom="http://www.w3.org/2005/Atom"><atom:id>http://brazilmaxmusic.com/</atom:id><atom:title>New Music From Nightlosers on Calabash Music</atom:title><atom:updated>2009-01-06T02:06:47Z</atom:updated><atom:link href="http://brazilmaxmusic.com//world/publisher/artistView/action/getfeed/item_id/10286/feedtype/102/output/feed/atom.xml" rel="self"/><atom:author><atom:name>The Calabash Music Team</atom:name><atom:email>support@calabashmusic.com</atom:email></atom:author><atom:entry><atom:title>Plum Brandy Blues</atom:title><atom:id>http://nightlosers.brazilmaxmusic.com/#album_10292</atom:id><atom:updated>2005-04-12T10:55:32Z</atom:updated><atom:link href="http://nightlosers.brazilmaxmusic.com/#album_10292"/><atom:summary>Music from Plum Brandy Blues</atom:summary><atom:content type="html"><![CDATA[<img src='http://files.brazilmaxmusic.com/images/10292/plum_brandy_blues.jpg'>&quot;The first track played that evening was Jimmy Reed's &quot;Shame Shame Shame&quot;: it started fine, with solo bottleneck guitar worthy of Muddy Waters, but when the band came in there was a country fiddler playing jig patterns, a banjo plunking away and the bass and drums playing a country-mile two-step. Wild!...The unmistakable strains of &quot;Blue Suede Shoes&quot; struck up, sung in a manner Hank Williams would have approved of, accompanied by suitably dirty electric guitar. But as the vocalist reached the refrain, the whole band broke into a fast polka. What?!&quot; -- Keith Shadwick]]></atom:content></atom:entry></atom:feed>
